Tag Archives: Poignant

Amity and Sorrow by Peggy Riley

Amity and Sorrow

Publisher: Tinder Press

ISBN: 978-0755394364

Publication date: 28th March 2013

There aren’t many books that can be described by the hashtag #GodSexFarming, but Tinder Press’ second title is one of the few. Peggy Riley’s debut novel is fascinating and disturbing look at how hard it can be to escape from a former life.

It opens with a car crash. Amaranth has been driving without sleep for days, trying to get her two daughters, Amity and Sorrow, as far away as possible from their previous home. As the first wife of a charismatic preacher at the heart of a polygamous cult, Amaranth has first-hand experience of the effect that her daughters’ father can have on people and when a mysterious fire rips through their compound, she gathers her strength and the girls and drives with no real idea of a destination.

The crash occurs just outside a farm owned by Bradley, a taciturn divorcee who lives with his aged father and surrogate son, Dust. Against his better judgement, he finds himself sheltering the three escapees, two of whom have never before experienced life in the  ’real world’. Amity tentatively embraces her new life, enjoying the novelty of being free to venture further than she had previously been allowed, but Sorrow fights it at every opportunity. Convinced by her father that she is ‘chosen’, she shows definite sociopathic tendencies as she attempts to destroy any happiness that her sister and mother find away from the compound.

Life within the cult is revealed in a series of flashbacks, revealing  Amaranth’s history and her reasons for marrying the preacher in the first place, as well as highlighting the complicated relationships, friendships and rivalries between the many women all ‘wedded’ to the same man.

Riley’s prose is lyrical and gorgeous, with descriptions that frequently made me pause and re-read. There is a particular passage where the women are spinning around in celebration that highlights Riley’s skill with cinematic imagery and also gives a suggestion of the appeal of living with so many other people who are linked by a common belief. Most of the sections of the novel set in the compound are dark and disturbing so these tiny moments of light really shine through.

The novel is a both a slow-burner and a page-turner; parts are hard to read but I couldn’t turn away. Amity and Sorrow was one of the best books I read last year and I’m thrilled that it’s finally out in the wild!

4.5/5

Peggy Riley will be appearing on the blog in April and there might even be a giveaway so keep your eyes open.

I was sent a review copy by the lovely Tinder Press in return for an honest review – thanks guys.


Tell The Wolves I’m Home by Carol Rifka Brunt

tell-the-wolves-im-home-978144721853101

The beautiful cover of the hardback

Publisher: Pan Macmillan

ISBN: 978-1447202141978-1447202141 

Publication date: 14th February 2013 (paperback)

My favourite book of 2012, Tell The Wolves I’m Home, is out in paperback today so I thought I’d post the review I wrote for the lovely Lizzie over at These Little Words, as part of her ‘Best of 2012′ series, in December.

Set in the mid-1980s, Carol Rifka Brunt’s novel is a hauntingly gorgeous debut. When June’s uncle and best friend, the renowned but reclusive painter Finn Weiss, dies of a mysterious disease, she is devastated. In the early days of AIDS awareness, the stigma attached to it means that no-one will talk to June about Finn, and she cannot reveal why she is as upset as she is. When Finn’s partner Toby gets in touch with her and explains that he misses Finn as much as she does, she is prepared to hate him for occupying part of Finn’s heart that she had thought was all hers. As they get to know each other, she and Toby realise that Finn has been more cunning that they gave him credit for.

What makes the novel so fabulous is the quality of the writing. There are paragraphs that I had to read several times because the writing is so gorgeous, and June’s narrative voice is pitch-perfect. Insecure, baffled by her sister’s distance and somewhat isolated from her schoolmates, she thinks that she has hidden her greatest shame, her love for Finn, from everyone, not realising how obvious it was to those who mattered. She is self-aware enough to admit that there are less than altruistic motives to some of her actions, but at other times her naïvety is immensely touching. She is brave and imperfect and is my favourite ‘heroine’ since Cassandra Mortmain.

It’s been several months since I finished reading Tell the Wolves, and I still get emotional thinking about June, Toby and Finn. Carol Rifka Brunt has a beautiful way with words and a real knack for getting inside the heads of her characters, and I very much hope that she won’t make us wait too long for her next novel.

tell-the-wolves-im-home-978144720214101

The equally lovely paperback cover

5/5

Huge thanks to the publisher for sending me a review copy of the book.


The Snow Child – Eowyn Ivey

Publisher: Headline Review

ISBN: 978-0755380534 

Publication date: 30th August 2012 (paperback)


I wrote the review of The Snow Child months ago and for some reason it was never posted. As the paperback is out today, it seemed  fitting time to finally publish this!

The Snow Child is the story of Mabel and Jack, a middle-aged couple who left their comfortable lives in 1920s Pennsylvania and moved to the Alaskan wilderness to start a new life, alone. They are trying to escape the grief of having a stillborn child ten years before, but they cannot outrun their sadness and they find themselves growing apart as they struggle with their new life. Jack is working himself to the bone as he battles the elements and the land in his attempts to grow enough food to see them through the winter, whilst Mabel is feeling increasingly trapped in their cabin as she waits for Jack to come home each night.

One evening, as the first snow of their first winter starts to fall, Mabel is overcome with memories of how it was in the beginning of their relationship, how hopeful and happy they both were and she rushes outside. Her sudden joy is infectious and the pair of them build a snow-girl, complete with a carefully carved face and red woollen mittens and scarf. In the morning there is nothing left in the snow apart from a trail of tiny footprints heading towards the woods. When Faina, a tiny delicate girl wearing red mittens and scarf, appears in their lives, they start to wonder exactly where she came from, and if she is even real. Has she been conjured by their longing for a child, or is she another inhabitant of the frozen woods, drawn to the warmth of the cabin like the bears?

I’m not going to say much more about the story itself, except it’s as harsh and beautiful as the writing.* Eowyn Ivey has lived in Alaska for most of her life and she has a simple and stark style which is perfectly suited to descriptions of the vast, unyielding wilderness and the pioneer life that Jack and Mabel are attempting to live. The descriptions of the environment around Wolverine River are terrifying in their bleakness, but also vivid – as someone who’s never visited Alaska, I feel as if I can really  imagine the wilderness that confronted Ivey’s characters, which is a testament to the quality of the writing (visiting Northern Norway last year also probably helped a little in terms of huge expanses of frozen land.)

Based on an old Russian fairy-tale, Snegurochka, Ithe Snow Child is a work of magical realism which brilliantly walks a fine line between being magical and realistic. It is also a stark reminder that, despite the common wish to have a ‘fairy-tale ending’, very few fairy-tales have a truly happy conclusion.

*You might need a tissue. Especially you, Mum.

I was sent a review copy but all the views are my own and I wasn’t paid for the review. Actually, someone sent me a copy to my home address, which is a bit of a mystery. Can someone own up please?


The Various Haunts of Men by Susan Hill

Publisher: Chatto and Windus

ISBN: 978-1856197144

Publication date: 3rd June 2004 (hardback)

I recently agreed to review the second in Susan Hill’s Simon Serrailler series for a feature in New Books Magazine, with a really tight deadline, thinking that I’d read the first book already. It turns out that this was completely imagined and the 560 pages of The Various Haunts of Men were still to be tackled. I have to admit that I was a little daunted at the prospect – I’ve read so many crime novels recently that the idea of reading two more in a fortnight wasn’t exactly appealing. However, I prefer to read series in order so I picked up Simon Serrailler’s first outing and got on with it.

As so often happens, I’m really pleased that I did. Much like Ruth Rendell, who is quoted on the front cover, I loved this book. I should have known that it would be excellent as the other two books by Hill that I’ve read have both been brilliant. The Woman in Black was a novel thrust upon me when I was about 12 as a set text at school and I liked it then; I’ve read it since and picked up so much more atmosphere and detail than the first time around.  Similarly, Strange Meeting was a text on a World War I module for my BA and, despite it being one of several novels that we had to read, it was the one which I’ve since re-read for pleasure. Hill’s writing is always a joy to read and often belies the horror of her subject matter.

Set in the fictional cathedral town of Lafferton, The Various Haunts of Men is ostensibly about the disappearence of a middle-aged woman who vanishes one foggy evening. There are few leads as Angela, the missing woman, lived alone and kept very much to herself. Once these leads dry up, the case is downgraded in priority and only Detective Sergeant Freya Graffham thinks that there is more to the case than meets the eye. She is proved right when there are more disappearences, although the missing persons have nothing to connect them other than vanishing whilst up on The Hill. D.S. Graffham, along with her Detective Constable, Nathan Coates, is determined to find out whether Lafferton has its first serial killer.

I’ve read reviews of this novel which criticise it for the slow pacing and, whilst I recognise that this isn’t the most rip-roaring of novels, I do think that those reviewers are missing the joy of Hill’s writing and plotting. Although the crime aspect kept me interested, the real point of the seems to be the way that the reader gets to know the town and its inhabitants, many of whom will be featured throughout the series.

There’s Angela Randell, who lives alone but is in love with a mystery man for whom she buys expensive and, potentially, inappropriate gifts; Debbie Parker, a depressed young woman who seeks answers in the alternative therapies on offer in nearby Starly, and her flatmate Sandy who worries about her friend being taken in by charletans. Karin McCafferty, a professional gardener, discovers she has cancer but refuses her doctor’s advice and also turns to  alternative medicine, and Dr. Cat Deerbon who has to find the line between being Karin’s doctor and her supportive friend, as well as dealing with tensions surrounding the increase in  Cat’s mother Muriel, herself a retired doctor, is heavily involved in local activities and it is through the choir that she meets Freya Graffham, recently moved from London after a messy divorce. Freya discovers that she already knows Muriel’s son, Simon Serrailler – he’s her D.C.I., and she is also, inconveniently, in love with him. All of these characters are vividly brought to life and, although some are featured more heavily than others, none feel redundant or superfluous.

It’s the strength of Hill’s characterisation and the sense of community that it invokes which makes the crimes in the novel so affecting. And they are emotional, from the disappearances of characters that the reader has come to care about to the shock ending. Ah, that ending. If anyone remembers the first ever episode of Spooks they might know what I mean when I say that the denouement of this novel was shocking. I think it’s fair to say that I was a wreck by the end of the novel, and Mr. Mouse had serious reservations about me reading any more of the series. To be fair, even thinking about Bambi makes me teary, so I’m not the best measure of  the emotional power of anything, but I’d definitely advise you to have tissues to hand when approaching the ending.

I don’t really have anything bad to say about The Various Haunts of Men, which is slightly dull – sorry! As mentioned in my post about my favourite books of the first 6 months of 2012, I promised myself that I’d finishing writing this review before reading The Risk of Darkness, the third in the series. That didn’t happen, mainly because I just couldn’t not read it once it was on the bookcase. Bearing in mind the size of my TBR pile, this says a lot about this series. One word of warning – I would strongly recommend reading these in the correct order as I think the emotional heft would be lessened otherwise.

Go! Read!

4.5/5


The Child Who by Simon Lelic

 

Publisher: Mantle

ISBN: 978-0330522748

Publication date: 5th January 2012 (hardback)

I loved Simon Lelic’s first novel, Rupture, so I was excited when I was sent The Child Who, Lelic’s third book. Lelic’s writing is powerful, and he writes about topics that can definitely be considered controversial: Rupture was about the motivations of a teacher who shot students in a school assembly, and The Child Who tackles the uncomfortable subject of children killing other children.

When Leo Curtice, a small-town solicitor, picks up the phone one afternoon, little does he realise that his life is about to be altered irrevocably. The phone call is to request a solicitor for Daniel Blake, a 12-year-old who is accused of murdering his classmate, Felicity Forbes. Leo is understandably excited about the opportunity to take such a high-profile case, but has no idea just how much publicity it will generate.

What made this novel a cut above the usual ‘evil child’ narrative is that he concentrated on Leo’s life and how it is changed by him representing Daniel. Daniel’s guilt is never in doubt, nor is the horrendous nature of his crime, but Leo can’t help but see him as a victim too and is resolute in his determination to represent him, despite the detrimental effect that the case has on his own family. However, when his 15-year-old daughter, Ellie, vanishes after a series of threatening anonymous letters, Leo is forced to question his decisions.

This is a compelling narrative, but I didn’t find it quite as affecting as Rupture. Passages scattered throughout the narrative flash-forward to point suggestively to a tragedy for Leo, and his wife Megan, but I found the ending, if not disappointing, then slightly anti-climatic. Lelic’s writing continues to be excellent – polished, assured and forceful, and The Child Who is a good read, but I just didn’t enjoy it as much as Rupture.

3.75/5 (This is where I wish that I gave ‘marks out of 10′!)

This was sent to be by the publisher, but I was not paid for the review and all views are my own.


Heart-Shaped Bruise by Tanya Byrne

 

Publisher: Headline

ISBN: 978-0755393039

Publication date: 10th May 2012 (hardback)

Of all of the books that I’ve been sent from We Love This Book for review, this is the one that I was most excited about. There had been rumblings on Twitter for a few months before I received it, about a new Y.A./crossover novel which was making people sit up and take notice, and it sounded really interesting. This is it!

Set in the psychiatric ward of young offenders institute, Tanya Byrne’s début, Heart-Shaped Bruise, is a gritty and fascinating look at the need for revenge and redemption, and whether retribution can ever really be worth the sacrifice.

Emily Koll is a 17 year old inmate. The narrative is told through her diary entries, which she then leaves in her room for the next inmate to find. Emily’s diary notes that her case has been in the press for months, with the tabloids jumping on a violent crime committed by a pretty teenager. As we’re not actually privy to these headlines, Emily’s crime remains a mystery until the last few pages. Byrne shows great restraint here, as it would have been easy to make the whole novel about Emily’s violent act. Instead, we get a finely wrought story about a teenager’s fight to come to terms with her history, and her equally fraught battles with her therapist.

Although Emily isn’t necessarily be a likeable character, she is certainly sympathetic, especially when trying to avoid Dr Gilyard’s probing questions about her past.  She’s cynical, ballsy and manipulative, but also sensitive. She’s basically a normal teenager, albeit one with a hidden agenda. She’s also unexpectedly funny, with a black humour that made you chuckle and then immediately look around to see if anyone saw me inappropriately giggling.

Byrne’s writing is both lyrical and gritty, much like Emily herself, and the novel is compulsively readable. I read it in one go, gobbling down the pages, eager to get to the end and find out what had happened, but also scared in case it was an anti-climax. To my great relief, it wasn’t. I’d tried to avoid speculating what was going to happen, and what Emily’s crime actually was, but I wouldn’t have guessed. It is beautifully handled – although the revelation is shocking, it is not sensationalist, which makes it even more affecting.

I was nervous that Byrne would not be able to resist giving Emily a traditional happy ending but she did, and I was so thankful. To have Emily skip off into the sunset would have been both insulting to the reader and the story, as well as unrealistic. I don’t think that I’m ruining the book to say this, as I think that anyone who starts reading the novel will see that Byrne is too honest a writer to take the easy way out.

Heart-Shaped Bruise totally lived up to the hype, and is a fantastic read. Emily is a believable character and, despite her crime, I found myself rooting for her to be able to put it behind her. I’m still thinking about the book, and I finished it a month ago, which I think speaks volumes about the writing. I really can’t wait to see what Byrne comes up with next, so hopefully she won’t keep us waiting too long!

It is published on the 10th May 2012 as an adult title.

4.5/5

This book was provided for review by http://www.welovethisbook.com all views are my own and I was not paid for the review.


Good in a Crisis – Margaret Overton

A moving, witty, hopeful and occasionally frustrating memoir from an American doctor and writer.

 Good in a Crisis, rather than being an autobiography of Overton’s whole life, is a memoir that concentrates on her life after her divorce. Her husband leaves her and her two teenage daughters after cheating for ten years. In a new apartment with her younger daughter and ageing dog, Overton turns to internet dating to rediscover her confidence. Her recollections of the subsequent dates are mostly hilarious, as she finds that there really are quite a few screwballs out there. One does start to wonder why she goes through with some of the dates – she’s an intelligent woman and yet seems, frustratingly, to have next to no self-awareness when it comes to men and dating.
This isn’t just a dating memoir. Overton also writes about how, whilst she was recovering from the divorce, she discovered that she had a brain aneurysm which could have killed her, had it not been for pioneering and risky treatment. Her daughter had a serious accident whilst at college, her mother developed dementia following an operation and a close friend died, all in the space of a few years. Overton’s reaction to these life-changing events was to discover that, whilst as a doctor she knew how to take care of other people, she wasn’t great at taking care of herself. This, she decided, had to change.
 
I did think that Good in a Crisis was a good read. Overton’s writing is full of humour (and swearing), but it is also thoughtful and meditative. When it comes to writing about certain incidents, her style becomes very matter-of-fact. I suspect that this is a coping mechanism, as the events that she is describing are traumatic and obviously still painful, but it jars slightly with the overall tone. However, these somber parts are balanced by sections which made me snort with laughter. A thought-provoking book, but perhaps not as focused as it could be.
 
3/5 
 
EDIT: Overton’s own blog is interesting, especially the post on the Guardian’s choice of excerpt. Apparently I’m as guilty as them for referring to the book as a dating memoir. I do understand why she would say that it is about surviving a near-death experience, but there are a lot of dates… 

This book was provided for review purposes by www.welovethisbook.com.

 
 

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